So many women
so little time!
Teddy Tahu Rhodes and
Jeffrey Black share the title role of Don
Giovanni in one of Mozarts greatest
operas
No hero-villain story is more compelling than
Mozarts timeless masterpiece. Here is the worlds most legendary
lover in the last days of his life. The irresistible scoundrel is having a bad
time of it: he is rejected by all the women he tries to seduce, and at the very
end must confront his darkest fears. Don Giovanni is dark,
funny, sexy and beautiful. It is also one of the greatest of all operas; this
exceptional production has become a firm favourite with Opera
Australia audiences.
Simone Young opens the
2003 Sydney Summer Season when she conducts the second "Don
Giovanni" of her career; her first was in the "2002 Melbourne
Autumn Season". Of her performances "The Age" said,
Simone Young conducts
with great energy that
captures the demonic headlong conflicts of the work while drawing out its
particular tonal beauty.
Simon Kenway, who conducts the
opera for the first time in his career, takes up the baton for the final five
performances. An established and highly respected orchestral and operatic
conductorhe most recently worked with the Company conducting performances of
"Sweeney Todd" in the 2001 Sydney season.
Sharing the title role of "Don
Giovanni" are Teddy Tahu Rhodes and Jeffrey
Black.
Teddy Tahu Rhodes sings
"Don Giovanni" for the first time in his career. Since making his
Opera Australia debut as Dandini in the 1998 production of
"Cinderella", New Zealand born baritone Teddy Tahu
Rhodes has received increasing acclaim. His American debut for San
Francisco Opera as Joe in the world premiere production of Jake Heggies
"Dead Man Walking" caused a sensation.
To conclude the 2003 season of "Don
Giovanni", Jeffrey Black returns to a role he
created when this production first premiered. When he sang the role in
Melbourne earlier this year, "The Australian" said
Jeffrey Black is a fine, incisive Don. He catches
every nuance within the character, with all of its swagger and authority
offsetting his meanness and deceit, and the enduring, often pathetic sexual
performance.
Making his Opera Australia
debut as Leporello is 26-year-old New Zealand born Samoan baritone
Jonathan Lemalu. He shares the role with Stephen
Bennett who takes over for the final four performances, his first
appearance with Opera Australia since 2000.
Jonathan Lemalu, having only
recently graduated from the Royal College of Musicis one of the most exciting
singers of his generation and his biography already reads like that of a much
more experienced singer. He has already released his first recording (an album
of songs by Brahms, Faure, Finzi and Schubert) of which
The
Times in London said
an enormous voice, of
cavernous resonance and silken tone
it is clear he is destined for great
things. The same newspaper proclaimed that he exuded star
quality in his first performance of Leporello in a Royal College of Music
production.
Appearing as the three women the Don tries to
seduce are Rosamund Illing and Miriam
Gordon-Stewart, who share the role of Donna Anna, Anke
Höppner and Lisa Russell who appear as
Donna Elvira and Ali McGregor as the peasant girl Zerlina.
When Rosamund Illing sang
Donna Anna in Melbourne earlier this year, "The Age" said
Illings voice has the fierce, shimmering beauty
of crystal. She makes a passionate, guilt-ridden heroine who articulates the
difficult arias as accurately as a diamond cutter. In the same review
Anke Höppners Donna Elvira was described as
dramatically vivid and Ali McGregors
Zerlina was as fresh as a May maiden with a pretty voice and a pretty
manner.
For the final four performances of the season
Miriam Gordon-Stewart and Lisa Russell
make their role debuts as Donna Anna and Donna Elvira respectively.
Making his role debut as Donna Annas lover
Don Ottavio, is Korean-born tenor Jaewoo Kim who has
recently received rave reviews for his appearances as Ferrando in "Cosi
fan tutte" and as Beppe in the "2002 Sydney Winter Season"
of Andrew Sinclairs new production of Pagliacci.
Completing the cast are Richard Alexander
and Richard Anderson who share the role of Zerlinas betrothed
Masetto and Arend Baumann and Donald Shanks who share the role of
Donna Annas father, the ill-fated Commendatore.
Richard Alexanders
portrayal of Masetto during the "2002 Melbourne Autumn" season was
described by "The Age" as masculine and
bullish. Currently a member of the Opera AustraliaChorus,
Richard Anderson who in 2003 will be part of the
Moffatt Oxenbould Young Artists Development Program,
will make his debut in the role.
The opera begins with Don Giovannis escape
from Donna Annas bedroom, pursued by her father, the Commendatore,
brandishing a sword. Giovanni kills the Commendatore in a duel and escapes.
Donna Anna swears revenge. Don Giovanni then tries to seduce the peasant girl
Zerlina. He seems on the verge of success when one of his old flames, Donna
Elvira, arrives to warn her off. Zerlinas fiancée Masetto is not
too impressed, either. The Don throws a party for the peasants, at which Donna
Elvira, Donna Anna and her betrothed Don Ottavio appear in disguise. They catch
Don Giovanni attempting once again to woo Zerlina, and swear vengeance.
By disguising himself as Leporello, the Don
manages to escape his pursuers. Hiding out in a cemetery, he hears a mysterious
voice threaten him. He sees that it is the statue of the Commendatore, which
carries an inscription saying he waits to be avenged. Don Giovanni invites the
statue to dinner; unpalatable consequences await him.
Conductor Simone
Young
Simon Kenway (from 5 February) Original Production
Göran
Järvefelt Rehearsed by
Matthew Barclay Designer
Carl
Friedrich Oberle Lighting Designer
Nigel
Levings Don
Giovanni
Teddy Tahu Rhodes
-- Jeffrey Black (from 12 March) Leporello
Jonathan
Lemalu
-- Stephen
Bennett (from 12 March) Donna Anna
Rosamund Illing
-- Miriam
Gordon-Stewart
(from 12 March) Donna Elvira
Anke Höppner
-- Lisa Russell (from 12 March) Don
Ottavio
Jaewoo Kim Masetto
Richard Alexander
-- Richard Anderson (from
12 March) Zerlina
Ali McGregor Commendatore
Arend
Baumann
-- Donald
Shanks (from 18 January) Sung in Italian with English surtitles Duration:
3 hours including one 20-minute interval
Proudly sponsored by the
 
Opera Theatre Sydney Opera
House Bennelong Point
Sydney
Performances dates: Jan
2, 4, 7, 10, 14, 18, 21, 23, 29 February 5 March 12, 15 mat, 19, 22
Performance
times: Evenings at 7.30pm and matinee at 1pm
Marconi Opera Talks Jan
7, 18, 23 45 minutes before each performance
Single tickets available from
$44 to 195* Concession tickets available from $44 to $179* *Denotes GST inclusive (where
applicable)
A childrens price of $35
per ticket is available for matinee performances (conditions
apply)
Bookings: Opera Australia
Ticket Services Tel: 02 9318 8200 Monday - Friday
9am - 5pm
Sydney Opera House Tel: 02 9250
7777 Monday Saturday 9.00am 8.30pm
Further information: www.opera-australia.org.au

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